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Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Ladies in Black producers Sue Milliken and Allanah Zitserman break down the financing and distribution of their new feature.
In this wide-ranging interview, the CEO of the ADG discusses everything from royalties to the impact of streaming.
The producer and founder of Practical Pictures on the art of pitching – what to do, what not to do – and how the Australian industry is different to the US.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Australian producer Kylie du Fresne from Goalpost Pictures on Upgrade, the genre feature she produced with Jason Blum.
The Black List founder Franklin Leonard on how the company is partnering with Warner Bros. and Veerhuis Pictures to help unearth Australian screenwriting talent.
Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.