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A closer look at the new Screen Story Development Fund guidelines at Screen Australia from two of the people that helped craft them.
Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.
Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.
The filmmakers behind Cargo unpack the journey from Tropfest to making their debut feature, and getting picked up by Netflix.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
How Academy Award® and Emmy®-winning US producer Mark Johnson of Rain Man and Breaking Bad brought Tim Winton’s Breath to the big screen.
Director Simon Baker on making an Australian first-time feature after two decades acting in the US.
In an increasingly crowded marketplace Picnic at Hanging Rock producer Jo Porter is looking for ideas that are bold enough to cut through.
Actor Yael Stone on her serendipitous route to being on series across Netflix, Amazon Prime and HBO, and what she would impart to budding actors.
The creators of SBS On Demand’s first commission Homecoming Queens are tearing down traditional storytelling formats – they reveal how and why.
Screen Australia CEO Graeme Mason lists his top three takeaways for the Australian industry now the Australian International Screen Forum has wrapped up in New York.
Director Garth Davis reveals some of the camera decisions, lighting and specific techniques he used to create feature films Mary Magdalene and Lion.