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What's being commissioned for TV and the introduction of PEP.
Australian producer Kylie du Fresne from Goalpost Pictures on Upgrade, the genre feature she produced with Jason Blum.
The Black List founder Franklin Leonard on how the company is partnering with Warner Bros. and Veerhuis Pictures to help unearth Australian screenwriting talent.
Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.
A closer look at the new Screen Story Development Fund guidelines at Screen Australia from two of the people that helped craft them.
Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.
Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.
The filmmakers behind Cargo unpack the journey from Tropfest to making their debut feature, and getting picked up by Netflix.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
How Academy Award® and Emmy®-winning US producer Mark Johnson of Rain Man and Breaking Bad brought Tim Winton’s Breath to the big screen.
Director Simon Baker on making an Australian first-time feature after two decades acting in the US.
In an increasingly crowded marketplace Picnic at Hanging Rock producer Jo Porter is looking for ideas that are bold enough to cut through.