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Years of trying to break into the screen industry finally paid off for Corrie Chen in 2017, with a non-stop year including her TV directing debut Mustangs FC.
Director Karina Holden reveals how Australia’s philanthropic community made doco BLUE happen and in doing so, helped its message go global.
Australian company Gyde wants to help the Australian industry combat piracy and connect audiences with film & TV through their patented technology.
The Handmaid’s Tale Emmy-nominated director Kate Dennis on how carving out a career in Australia gave her an edge in the States.
Wake In Fright producer Helen Bowden reveals how tracking down a near 60-year-old document to an archive in Paris was pivotal to making the Network Ten drama.
International Emmy® Award-winning dirtgirlworld co-creator Cate McQuillen talks about expanding the kid’s series into the live action Get Grubby TV and building up the Northern Rivers talent pool.
Comedian and The Edge of the Bush creator Anne Edmonds on giving stand-up comedy characters new life on the screen – and the pressure of playing four of them.
Doctor Doctor producers Ian Collie, Claudia Karvan and Tony McNamara weigh in on season 2, the evolution of the TV industry and nurturing new voices.
The star of Ali’s Wedding, Osamah Sami, and producer Sheila Jayadev talk about how this true story is connecting with Australians in a way that transcends religion or skin colour.
Aquarius Films producer Angie Fielder talks about the company expanding from features such as Lion and Berlin Syndrome into TV with Stan’s Matt Okine comedy The Other Guy.
Actor Alice Englert discusses working alongside her mother, director Jane Campion, and her burgeoning career as a filmmaker in her own right.
Superwog’s Theo Saidden on co-writing/directing/producing and co-starring in the duo’s TV pilot and why they will always try to make YouTube videos, no matter what.