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Can you believe it’s been almost 25 years since Muriel Heslop waved goodbye to Porpoise Spit while ABBA’s Dancing Queen pumped in the background?
How director Jonathan Teplitzky’s love of photography led him into cinema and creating the likes of Churchill, The Railway Man and Gettin’ Square.
Producer Melissa Kelly walks us through the film festival release strategy for thriller Hounds of Love and the Western Australian talent that helped make the film a reality.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.
The number of people watching film, TV and other content online is growing exponentially. Data shows that 63% of Australians gobbled up stories this way in 2016*.
Little J & Big Cuz designer/director Tony Thorne on creating something he never had growing up – a contemporary animated children’s show starring young Indigenous characters.
Writer, producer and director Armando Iannucci, best known as the driving force behind hit political satires such as Veep and The Thick of It, reveals his writing process, being funny under pressure and how the industry has changed.
Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.
How the team behind The Warriors adapted their idea and format to reel in a different demographic.
The filmmakers behind Zach’s Ceremony talk about the importance of Good Pitch² Australia and crowd-funding in helping their documentary get made.
So what is the cost of creating an online series or video?
The myth of the ‘overnight success’ story can make it seem like this is an easy, and inexpensive route to becoming a filmmaker.