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Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.
Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.
Toby Wallace says it’s important for young Aussies to see themselves reflected, whether it’s in films like Boys in the Trees or TV shows like Puberty Blues.
Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
Joe Cinque’s Consolation director, co-producer and co-writer Sotiris Dounoukos on adapting Helen Garner’s book for the screen in his native Canberra.
Rosehaven’s Luke McGregor on his increased admiration for Rob Sitch and why Tasmania is the next Hollywood.
As The Wrong Girl and Deep Water hit screens Twitter’s Tony Broderick talks about the Screen Australia initiative helping these TV dramas.
Jessica Mauboy and producer Karl Zwicky on how the Channel Seven series came about – and why it’s a big moment for diversity.
As Electric Pictures brainstormed a way to expand its audience, they unearthed a gem of their own with Aussie Gold Hunters.
Spin Out co-director/writer Tim Ferguson on the next revolution in the screen industry: giving a voice to filmmakers and actors with a disability.
Spin Out is shining a spotlight on regional Australia – and it’s not the only one.