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Claudia Karvan on producing Doctor Doctor with writer Tony McNamara and Ian ‘Jolly’ Collie, and returning to collaborate with Nine Network.
Girl Asleep director Rosemary Myers talks winning CinefestOZ and the challenges facing independent films when it comes to distribution.
Producer Bill Mechanic reveals why films like Hacksaw Ridge are “pretty impossible” to get made and the Australians that made it happen.
Australian producer Bruna Papandrea of Gone Girl and Wild reflects on her career trajectory, emphasising the importance of mentors for budding filmmakers.
Screen Australia launches a comprehensive report into diversity on Australian screens to inform the conversation and calls for real, long-lasting change.
For its 20th anniversary, Scott Hicks looks back on the “long, arduous” process that was developing and financing Shine and why it was worth every minute.
Shelley Birse talks about empowering writers from the set of Screen Australia-supported The Code series 2.
Three years ago, Taryn Brumfitt could never have thought she'd be a filmmaker, but when her personal story went viral, she realised Embrace was needed.
Down Under writer/director Abe Forsythe reveals the road he took to write and develop a comedy that revolves around a race riot.
Bleeding Steel actor Jackie Chan and Village Roadshow Asia CEO Ellen Eliasoph share their advice for Australian filmmakers wanting to work with China.
Robert Connolly talks about risk-taking as a business principle and how complex novels such as Barracuda have found the perfect home in four-part TV series.
Xavier Samuel was beckoned back by Belvoir Theatre. A year later, fortuitous timing has led to four features and a TV series shot almost back-to-back.