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Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.
For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Ten times Australian stage plays were transformed into films.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
Video on Demand (VOD) is providing docos with a global platform to get their films noticed and experts are calling it a “no-brainer” for Aussie filmmakers.
You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.
Sell-out live shows, viral videos and a new web series, Aunty Donna aren’t sticking to rules, but paving their own path to success.
With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.
The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.
Producer John Molloy talks about tapping into the nation’s nostalgia with Channel 7’s new miniseries Molly.