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With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.
The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.
Producer John Molloy talks about tapping into the nation’s nostalgia with Channel 7’s new miniseries Molly.
Written and wrapped at breakneck speed, script producer Timothy Hobart talks about the ride that has been Wanted and why we need more shows like it.
When Molly airs, it will kick off another year of miniseries based on the lives of Australian personalities – a trend that isn’t showing signs of slowing.
Step inside the gated home of Sydney’s new millionaires and see what all the fuss is about with Here Come the Habibs.
Here’s a dozen times Australian locations became their own pivotal characters in television.
Actor Radha Mitchell returns to her homeland for her first Australian film in half a decade with Looking for Grace.
Epic genre series Cleverman is selected for Berlinale, not only commending the quality of Indigenous storytelling, but changing attitudes toward television too.
A new generation of Aussies are flocking to the web to create fearless, gut-busting comedy, and grabbing the attention of decision-makers and fans alike.
Diversity shouldn’t be the central focus of a series, but simply exist within a moving, engaging and universal story, says Tony Ayres, producer of SBS series, The Family Law.