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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Writer/director Seth Larney explains his process behind the ‘school sequence’ from his feature film, 2067.
Author, playwright and screenwriter Debra Oswald reflects on Offspring, the writing process and developing her new novel for screen.
Girls Can’t Surf director/producer Christopher Nelius and producer Michaela Perske on the challenges of bringing an untold sporting documentary to the big screen.
Colourful comedies and challenging examinations of our past – take a look at our LGBTQI+ community on screen.
This is a reminder to producers, directors and production companies that have received a link to the Indigenous Screen Composer survey, to please complete by Monday 8 March 2021.
Australians in Film’s Peter Ritchie on working in Hollywood and their call-out for new voices to learn from some of the biggest names in the business.
Hear direct from the cinematographers of Australian film, television, documentary and web series as they break down what they filmed with and why.
From working with Netflix to tips for building an audience on YouTube, Aunty Donna director Max Miller talks through the rise of the Australian sketch comedy group.
Cinematographer Matt Toll talks about his approach to filming the new romantic comedy, Long Story Short.
Producer/actor Witiyana Marika and director Stephen Maxwell Johnson talk about their 20-year journey toward making High Ground.
The producers behind the highest-rating Australian adult TV drama of 2020 – Mystery Road series 2 – discuss new frontier film High Ground and creating stories with something to say.
Director Glendyn Ivin and leading actors Naomi Watts and Andrew Lincoln talk about working with magpies in the new feature film Penguin Bloom.