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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Core to the Screen Australia Indigenous Department’s The Next 25 Years strategy is making connections with new talent and assisting creators in taking advantage of the range of opportunities available.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Screen Australia’s Premium Fund is allowing established creators to hone their craft, and for Adele Vuko, expand ideas.
Screen Australia’s Generate Fund is making way for more autonomous, creator-driven storytelling, including an adaptation of an Australian classic by writer/director Nicholas Verso.
Expert advice on the Producer Offset – the tax rebate for Australian content.
Screen Australia’s Enterprise People program presents an opportunity for two specialist creatives to undertake a six month placement with Wooden Boy Productions in Portland, Oregon, USA working on Guillermo del Toro’s Pinocchio.
An analysis of three years of sales and distribution deals.
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
Funding models open doors for emerging and established creators.
Screen Australia’s Generate Fund is opening up new pathways for emerging screen creators, including writer/director Kauthar Abdulalim.
It might be cold outside, but this list of Aussie online originals will warm your soul.
Screen Australia Project Manager Kelly Vincent walks us through the ins and outs of creating a strong application with an accurate budget.