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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Effective immediately, Screen Australia will cease processing applications for the Producer Equity Program (PEP) for the remainder of the 2018/19 financial year.
Screen Australia is pleased to offer Australian producers a reduced registration rate and access to a stand in the marketplace at this year’s Sunny Side of the Doc.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Director Ben Lawrence discusses his feature documentary Ghosthunter: “everything I thought the film was going to be, it was something else entirely.”
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Director Jeremy Sims makes his first foray into factual with a feature doco about Wayne Gardner.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.