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Miss Fisher’s Murder Mysteriesis one of all3media International’s best drama sellers, irrespective of nationality. Maartje Horchner discusses the many factors that have contributed.
Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?
Epic genre series Cleverman is selected for Berlinale, not only commending the quality of Indigenous storytelling, but changing attitudes toward television too.
Nowhere Boys: Book of Shadows director David Caesar sees the film as a rock n’ roll story about a broken up band that’s back together for one last gig.
As audiences fragment, TV markets become increasingly global and the cost and risk of creating home-grown television increases, Screen Australia's role in supporting locally-made series is more vital than ever.
Find out what the top-rating Australian TV dramas were across the free-to-air networks in 2015.
Downriver's story is one of teamwork and tenacity; and the inevitability of people and policies at the film agencies greatly influencing what independent films are made in Australia.
Screen Australia support seven drama producers to go to Content London 2015.
ABC, SBS and Network Ten hear you, Australia. And similar to the other major networks, their line-up for 2016 features a wealth of home-grown drama and laugh-out-loud comedy.
Where does the finance for TV drama come from? How do producers put together budgets for individual projects? How has this changed compared to ten years ago?
Screen Australia’s data paints a picture of a typical recent year of production compared with ten years ago.
You bet it’s entertaining. But it’s also expensive. The 47 dramas that went into production in the 2014/15 financial year cost $332 million. Where did all this money come from?