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Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.
With Newton’s Law set to air, we look at nine times Australia’s legal system has been Exhibit-A on screens.
Australian screen content creators Mike Jones, Helen Bowden, Debbie Lee and Kristine Wyld speak to Screen Australia about their experience at C21's International Drama Summit 2016.
From Miss Fisher to Newton’s Law: why Every Cloud Productions wants to see more women in front and behind the camera – and what they’re doing about it.
The Australian broadcasters, networks, pay TV and SVOD companies have revealed what 2017 holds and the result paints an exciting picture for local audiences.
Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.
December Media has just begun filming the fifth season of The Doctor Blake Mysteries, which is represented internationally by ITV Studios. It is when shows are recommissioned that revenues start to flow in earnest.
Cineflix Rights handles international sales on the Australian drama Secrets & Lies, which was made by Hoodlum for Network Ten. Chris Bonney discusses the show and the sales scene generally.
Endemol Shine International CEO Cathy Payne on making drama that sells worldwide.
Robert Connolly talks about risk-taking as a business principle and how complex novels such as Barracuda have found the perfect home in four-part TV series.
Co-owner of Pukeko Pictures and Weta Workshop, five-time Academy Award winner Richard Taylor found an opportunity too good to miss with ABC TV’s Cleverman.
Sixteen relatively recent Australian television dramas have earned more than $1 million each in gross revenue and nearly $43 million as a group, mostly from abroad.