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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
From First Australians to Redfern Now and soon Total Control, producer Darren Dale on making TV that matters.
In this quick guide, we outline what Screen Australia does and how creators can access the agency’s funding and resources.
Screen Australia CEO Graeme Mason reflects on Toronto International Film Festival 2019 and looks toward MIPCOM and beyond.
Producers John and Dan Edwards on Les Norton and keeping up with the changes in Australian TV.
One of Les Norton’s directors, David Caesar, discusses the process of adapting Robert G. Barrett’s series of novels to the screen.
Screen Australia has updated its guidelines for Drama and Children’s Programs to make clear when the agency will consider investing in second seasons for television.
Producer Joanna Werner talks through the Gender Matters KPI alongside her thoughts on the industry.
Screen Australia’s Premium Fund is allowing established creators to hone their craft, and for Adele Vuko, expand ideas.
An analysis of three years of sales and distribution deals.
Funding models open doors for emerging and established creators.
Actress Essie Davis discusses the complex characters and unique locations in Foxtel’s gothic four-part series Lambs Of God.
Writer/producer Raelle Tucker and writer/director Jeremy Podeswa talk career and how premium TV gets made.