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Last Cab To Darwin cost nearly $4 million to make and it’s expected to attract $8 million in ticket sales from Australia and New Zealand alone. So how come nobody got rich?
Last Cab To Darwin’s producers Greg Duffy and Lisa Duff get frank about the film’s budget.
The Screen Australia/Australian Directors Guild Director’s Attachment Scheme is proving to be a valuable springboard for emerging directors, with an increasing emphasis on gender equality and cultural diversity.
Screen Australia has tracked the vital signs of drama production in another record year.
Australian audiences are embracing local content in droves but industry needs to continue rallying behind local production, with challenging times ahead.
We’ve updated our General Drama and Children’s Programs guidelines to be platform neutral, and to accommodate all formats for kids programming.
Sporting a dishevelled look of longer hair and a beard that sent his legion of admirers into a frenzy at Cannes recently, Baker shares some thoughts about his latest project Breath.
Applications are open for two new programs: The Indigenous Feature Documentary Initiative and the Indigenous Producers Initiative.
Screen Australia’s Signature Documentary program supports documentary storytelling with a strong creative vision and the potential for acclaim.
Producers Lab Toronto has today announced its participants, which include Australian producers Melanie Coombs and Matthew Dabner.
A new business facilitation program has been announced by Screen Australia as part of the Enterprise suite of programs.
The pressure on Screen Australia production funds in the lead-up to the 14 December 2012 Board meeting was extremely high, with an unprecedented number of quality feature film and television projects seeking support.