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Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
The CEO of Screen Producers Australia Matt Deaner discusses the challenges and opportunities facing the sector.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Ladies in Black producers Sue Milliken and Allanah Zitserman break down the financing and distribution of their new feature.
Hannah and Eliza Reilly created, wrote, directed and star in Sheilas – a web series that shines a light on some awe-inspiring women of Australian history.
The producer and founder of Practical Pictures on the art of pitching – what to do, what not to do – and how the Australian industry is different to the US.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
What's being commissioned for TV and the introduction of PEP.
Social impact, feature docs, evolving genres and factual entertainment.
The challenge of online, building international partnerships, and streaming service commissions and acquisitions.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.