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The Kettering Incident led the pack, but Miss Fisher’s Murder Mysteries was snapping at its heels.
Series one of Mako Mermaids is a big hit abroad – and not just in the children’s drama space. The financial data proves it.
Acorn Media, AMC/Sundance, BBC Television, Netflix and Universal Kids were key buyers of Australian drama in 2017.
Producer Jonathan M Shiff explains why Mako Mermaids is a standout success internationally – and why the local production environment for children’s television has badly deteriorated.
In this two-part series, some of Australia’s top online video creators (and Skip Ahead recipients) share their experiences creating online content.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
How Academy Award® and Emmy®-winning US producer Mark Johnson of Rain Man and Breaking Bad brought Tim Winton’s Breath to the big screen.
Executive Producer Jo Porter shares her experience developing Picnic at Hanging Rock, the evolution of Australian television and how our stories can perform overseas.
Director Simon Baker on making an Australian first-time feature after two decades acting in the US.
Screen Australia’s TV drama production funding program, General Drama, will now include additional application rounds – bringing the total rounds per financial year from three to five.
Director Garth Davis reveals some of the camera decisions, lighting and specific techniques he used to create feature films Mary Magdalene and Lion.
Head of Production Sally Caplan explains the thinking behind Screen Australia’s feature film investments and grants.