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Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Screen Australia part funds up to 20 features annually. The key criteria is excellence but there are other matters in play.
Examining the individual decisions made in 2014/15 illustrates how the theory behind the question of what to fund and why is put into practice.
Screen Australia is offering grants of up to $6,000 toward registration and travel costs for producers attending the Cannes Film Market in 2018.
Screen Australia’s Indigenous Department is proudly funding paid internships for four emerging Northern Territory-based Indigenous screen practitioners on the upcoming feature film Top End Wedding starring Miranda Tapsell, produced by Goalpost Pictures.
Australian producer Emile Sherman shares his insights working on Official Co-productions.
Go behind the scenes and back in time with our look at the outrageous new Australian comedy Swinging Safari.
Screen Australia has today released a report marking 10 years since the introduction of the Producer Offset – the tax rebate for eligible Australian works.
Go behind the scenes on The Justine Clarke Show! with Justine and Dash the dog.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Screen Australia’s 27th annual Drama Report released today shows an all-time high expenditure on drama production in Australia in 2016/17 with $1.3 billion, made up of $610 million foreign project spend and $667 million for Australian projects.
Miranda Tapsell summarises the key points from this year’s report, including the first time expenditure on drama has gone over $1 billion.
Professionals break down the anatomy of a stunt plus give their insights.