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Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
The Indigenous Department’s seven-city industry tour continues this October.
From 25 September 2017, applications for Screen Australia’s Letter of Interest program for feature film production can be made at any time.
Event Partnerships is now known as Industry Partnerships, and applications are open for the three-year Australian festival funding cycle.
Cinematographer Ari Wegner on her career, process, and the camera choices that informed The Kettering Incident and new feature Lady Macbeth.
The stars and creatives on the "rags to riches to rags again" tale of Alan Bond and the challenge and thrill of bringing it to life in Nine Network's House of Bond.
Seven Types of Ambiguity producer Amanda Higgs talks about switching between suspenseful adaptations to children’s sports series and why The Secret Life of Us had such impact.
The filmmakers behind Zach’s Ceremony talk about the importance of Good Pitch² Australia and crowd-funding in helping their documentary get made.
From Miss Fisher to Newton’s Law: why Every Cloud Productions wants to see more women in front and behind the camera – and what they’re doing about it.
Academy Award-winning costume and production designer Catherine Martin reflects on her career, gender equality and G’Day USA’s Lifetime Achievement Award.
From the lead roles in the US, to the new audiences from Poland to Mexico – we check in with our local talent taking on the world.
Producer Nelson Woss is hoping the latest Red Dog film, a family-friendly origin story, travels as much as the beloved first movie and the dog itself.