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Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
Many doors swung open for writer/director Neil Triffett and producer Lee Matthews as a result of the short film EMO the Musical being selected for the Berlinale and subsequently earning a special mention from the jury.
We know, we know. You just haven’t had the chance to look at that notification letter from the Australian Bureau of Statistics (ABS) yet.
Spin Out co-director/writer Tim Ferguson on the next revolution in the screen industry: giving a voice to filmmakers and actors with a disability.
Spin Out is shining a spotlight on regional Australia – and it’s not the only one.
Claudia Karvan on producing Doctor Doctor with writer Tony McNamara and Ian ‘Jolly’ Collie, and returning to collaborate with Nine Network.
Screen Australia launches a comprehensive report into diversity on Australian screens to inform the conversation and calls for real, long-lasting change.
The Australian Bureau of Statistics (ABS) is once again surveying the screen production sector.
Screen Australia is pleased to announce the four successful projects from our Hot Shots Short Film Fund.
From the Spierig brothers and Alethea Jones to Judy Davis and Ryan Kwanten, we take a look at Aussies who've been having huge success internationally.
For its 20th anniversary, Scott Hicks looks back on the “long, arduous” process that was developing and financing Shine and why it was worth every minute.