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Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
The Australia-China screen relationship is deepening in features, children’s programming and documentaries. Let's look into why.
Mad Max: Fury Road roared away from the Academy Awards with six awards – the most trophies won by any movie on the night and Australia’s most successful film at the Oscars® in history.
Tyke, Elephant Outlaw is a feature-length documentary that explores the story of a circus elephant who killed her trainer in front of thousands of people in Honolulu in 1994.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.
Never underestimate the intern. That’s one take-home message from Cleverman, the six part drama series that premieres at the Berlinale Film Festival before its ABC TV debut later this year.
Upcoming Aussie horror flick, Bloodlands is set in Albania and it’s about blood feuds, witches and coming-of-age. We chat to director Steven Kastrissios, whose last feature was his 2009 debut, The Horseman.
Australian film, TV and online soared to new heights in 2015 and we look back on the year that was, as well as casting our eyes to exciting times ahead.
Foreign Minister Julie Bishop considers raising the Location Offset in 2016 budget as Sir Ridley Scott’s next Alien film is welcomed to Sydney.