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Flying Bark Productions Managing Director Barbara Stephen talks 100% Wolf, working across 2D and 3D, and how the animation industry has changed.
Screen Australia’s Enterprise People program presents an opportunity for two specialist creatives to undertake a six month placement with Wooden Boy Productions in Portland, Oregon, USA working on Guillermo del Toro’s Pinocchio.
From today, Producer Offset Final Certificate applicants will be required to expressly declare PDV work completed in Australia.
Where does gender disparity in the Australian screen industry start?
Comparing film school and employment data.
A case study on the representation of women in Australian cinematography.
A case study that deep dives into the representation of women in Australian animation.
The raw data and a collection of female-focused content for further reading.
The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Director Jeremy Sims makes his first foray into factual with a feature doco about Wayne Gardner.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
VFX Supervisor Will Reichelt and CEO Zareh Nalbandian on the complexities of live-action/animated filmmaking.