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Two and a half years since Screen Australia's Inclusivity Attachment Scheme was introduced, people who worked on the likes of Penguin Bloom and The Gloaming share their thoughts.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.
Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.