Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
Look back on some of the best Australian screen stories and industry moments of 2018, and get a sneak peek at what’s to come in 2019.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Madeleine Madden, Aaron Pedersen, Angourie Rice and Ryan Corr are among the Aussie actors on the red carpet for the 8th AACTA Awards.
Director James Wan on Australian crews, locations and the importance of story.
Through our annual grant program, the HFPA helped non-profit group Australians in Film to support IndigenousLA, a program to bring Indigenous filmmakers to Hollywood for the first time, to expand their career.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Screen Australia’s annual Drama Report released today shows a record high expenditure on home grown stories, with $718 million spent on local productions, up 7% on last year.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Director Stephen McCallum shares his experience making his debut feature film, 1%.