Screen Australia’s annual Drama Report released today shows a record high expenditure on home grown stories, with $718 million spent on local productions, up 7% on last year.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Director Stephen McCallum shares his experience making his debut feature film, 1%.
Director Benjamin Gilmour reveals the extraordinary story of how his latest film Jirga was filmed in Afghanistan.
Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.
Ladies in Black producers Sue Milliken and Allanah Zitserman break down the financing and distribution of their new feature.
Director Ben Lawrence discusses his feature documentary Ghosthunter: “everything I thought the film was going to be, it was something else entirely.”
Legendary Australian director Bruce Beresford shares his experience directing his latest film Ladies in Black.
Australian feature film The Nightingale, directed by Jennifer Kent, won two awards at the 75th Venice International Film Festival on Saturday 8 September.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.