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Director Garth Davis reveals some of the camera decisions, lighting and specific techniques he used to create feature films Mary Magdalene and Lion.
Screen Australia CEO Graeme Mason lists his top three takeaways for the Australian industry now the Australian International Screen Forum has wrapped up in New York.
Last Cab To Darwin cost nearly $4 million to make and it’s expected to attract $8 million in ticket sales from Australia and New Zealand alone. So how come nobody got rich?
The Dendy/Icon Group team behind Last Cab to Darwin's success discuss the journey behind the release.
Last Cab To Darwin’s producers Greg Duffy and Lisa Duff get frank about the film’s budget.
The star of Netflix’s Dynasty James Mackay on juggling work in the US and Australia, advice for auditions, and why being Aussie gives you an edge.
Causeway Films producer Kristina Ceyton breaks down their tailored approach to film festival releases and the significance they can have.
So you’re an Aussie actor with dreams of Hollywood stardom?
Safe Harbour co-writer and showrunner Belinda Chayko breaks down how they mapped out and wrote the complex, compelling drama – and why television is the home for original Australian voices.
So what is the cost of creating an online series or video?
The number of people watching film, TV and other content online is growing exponentially. Data shows that 63% of Australians gobbled up stories this way in 2016*.
Raising $6.78 million for an ambitious space science documentary that would excite international audiences was the opposite of a walk in the park for Essential Media and Entertainment chief executive Chris Hilton.