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Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
The myth of the ‘overnight success’ story can make it seem like this is an easy, and inexpensive route to becoming a filmmaker.
For creators of digital content on platforms such as YouTube, a high level of multitasking is required as a channel or series grows in popularity and views.
The Federal Government is examining how to ensure audiences get to see local content and has called for submissions. Be afraid; be very afraid.
Many want the Government to stop cutting Screen Australia funding but few ask what might happen if more money goes to production via other means.
A case study on the representation of women in Australian cinematography.
Some of the biggest challenges of the review acutely apply to children’s content including out-of-date regulation, market failure and commerce vs culture.
It’s only fair that Australian content rules are applied more evenly to more platforms; what happens to quotas is the big question.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Many want the Producer Offset pushed up to 40% for all television that’s currently eligible. Who wouldn’t want government money if it’s on offer … ?
An analysis of three years of sales and distribution deals.
Comparing film school and employment data.
Co-production treaties, low wages, poor mental health, inadequate training, foreign workers and intellectual property are all raised in submissions.