×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
It’s only fair that Australian content rules are applied more evenly to more platforms; what happens to quotas is the big question.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Many want the Producer Offset pushed up to 40% for all television that’s currently eligible. Who wouldn’t want government money if it’s on offer … ?
An analysis of three years of sales and distribution deals.
Comparing film school and employment data.
Eight women have been announced for directing mentorships at commercial production companies as part of the Australian Directors’ Guild’s Gender Matters initiative.
Geena Davis has a pretty straightforward answer for how to make more money in film and television – and you’ll be doing the world a service too.
Mad Max: Fury Road editor Margaret Sixel on the practicalities of recreating George Miller’s famous dystopian world.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Attendees of Talent USA: LA 2019 share their key learnings from the week-long program.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
How to emotionally and psychologically survive and thrive in the entertainment industry.