×
Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community, land, waters and territories.
Aboriginal and Torres Strait Islander people are advised that this website contains images, voices and names of people who have passed.
Browse Screen News profiles below and subscribe to our newsletter for a free fortnightly digest.
From casting to the pressures of visibility, Oliver Ross hopes to open up discussions around the experiences of trans and gender diverse creatives.
Screenwriter, creator and producer Michael Lucas on making the most of a long development period and paying opportunities forward.
Finding your voice and being authentically you despite the pressure to conform.
Screenwriter Jon Bell discusses co-writing on RFDS, and bringing a First Nations perspective to the horror genre with his short film The Moogai.
Writer/director Johanna Garvin reflects on the impact of leadership on sets such as Penguin Bloom and her own film Rocky & Me.
Screenwriter Bevan Lee on returning to the characters, tone and world of the Rafters some eight years after waving goodbye.
The key creatives behind All My Friends Are Racist talk about the authorship that ensured a comedy like no other.
Journalist and presenter Marc Fennell on navigating a constantly changing industry and the personal impact of the ABC series The School That Tried to End Racism.
Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.
Producer Cody Greenwood got dozens of tracks from the world’s biggest names for Australian documentary Under the Volcano. Here’s how it happened.
Preppers co-creator, co-writer and star Nakkiah Lui on shooting a comedy about doomsday prepping in the midst of a pandemic.
Australian cinematographer Ari Wegner ACS discusses the making of The Power of the Dog, from working with Jane Campion to the New Zealand shoot.