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Screen Australia is an investor in many of the Australian feature films that find their way into cinemas. The agency requires a sales agent – among other things – to be attached to each film so it has the best chance of being pushed out onto the world stage.
Writer/director Dena Curtis on the sometimes spooky, always fascinating ride that was investigating traditional spirits for NITV series Shadow Trackers.
Nowhere Boys producer Beth Frey reveals the unique challenges the creators of children’s TV face – and why we’ll be seeing a new cast in the third season.
Securing an advance from an international sales agent against future anticipated rest of world (ROW) sales revenue could be a key factor behind whether enough money can be raised to enable a film to go into production.
At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.
After the success of Tales From Tinder, filmmaker Emma Watts and her team were able to put some money behind their next series, No Strings Attached.
RED DOG: True Blue director Kriv Stenders hopes Australian kids continue to embrace locally made films and television – but not because they have to. Because they are just that good.
Two fresh, distinct voices from the comedy world have blasted their way onto our TV screens – and they should come with a warning.
Tourism Australia's John O'Sullivan looks at how film, TV and Aussie stars such as Paul Hogan have helped put Australia on the map and keep it there.
Producer Nelson Woss is hoping the latest Red Dog film, a family-friendly origin story, travels as much as the beloved first movie and the dog itself.
Lion director Garth Davis, producer Emile Sherman and stars Nicole Kidman and Dev Patel discuss working in Australia and taking Saroo Brierley’s story from page to cinema.
From the lead roles in the US, to the new audiences from Poland to Mexico – we check in with our local talent taking on the world.