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Australian actress Sarah Snook continues to soar on Australian film and television, capping off a stellar year with a double whammy of The Dressmaker and The Beautiful Lie.
Mad Max: Fury Road editor Margaret Sixel on the practicalities of recreating George Miller’s famous dystopian world.
Australian producer Bruna Papandrea of Gone Girl and Wild reflects on her career trajectory, emphasising the importance of mentors for budding filmmakers.
We check in with some of the recipients of Gender Matters to see how their projects or initiatives have been progressing.
Girl Asleep director Rosemary Myers talks winning CinefestOZ and the challenges facing independent films when it comes to distribution.
Girls Can’t Surf director/producer Christopher Nelius and producer Michaela Perske on the challenges of bringing an untold sporting documentary to the big screen.
Writer/director Paul Damien Williams discusses working on his first feature documentary, Gurrumul.
Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.
Producer Bill Mechanic reveals why films like Hacksaw Ridge are “pretty impossible” to get made and the Australians that made it happen.
Journalist Michael Ware explains how he turned his Handycam footage from the Iraq War into chilling documentary Only the Dead.
The filmmakers behind The Kaleidoscope Project on their learnings, advice and the making of the four ABC ME films.
We get a behind-the-scenes look at what creator Rob Shehadie and the Habibs have in store for season two of the Nine series.