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As Bunya Productions goes from strength to strength, its producers discuss remote locations, IP and tackling TV.
Foreign films pushed up activity, TV hours have shrunk over time, local film numbers have grown, and there’s a lot of tangled threads.
Screen Australia’s 27th annual Drama Report released today shows an all-time high expenditure on drama production in Australia in 2016/17 with $1.3 billion, made up of $610 million foreign project spend and $667 million for Australian projects.
Miranda Tapsell summarises the key points from this year’s report, including the first time expenditure on drama has gone over $1 billion.
How The Secret Life of Us, a series created 16 years ago, led to Network Ten’s anticipated new drama Sisters.
Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
The Australian Content Conversation conference has wrapped, but discussions around tackling the future challenges and opportunities within the screen sector will only continue.
We check in with some of the recipients of Gender Matters to see how their projects or initiatives have been progressing.
Geena Davis has a pretty straightforward answer for how to make more money in film and television – and you’ll be doing the world a service too.
David Stratton reflects on the evolution of the Aussie film industry since the 60s, ahead of the release of documentary David Stratton: A Cinematic Life.
Geena Davis is intent on highlighting sexism in Hollywood, as are these allies.
The Australian Academy Award nominees gathered at a reception in LA hosted by Screen Australia and Australians in Film.