Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.
The search saw Marvel meet with over 70 potential directors.
Yerin Ha was born and raised in the northern suburbs of Sydney, where she lived with her brother and their Korean-born parents.
One of the most powerful Australians in Hollywood, Village Roadshow Entertainment Group (VREG) boss Greg Basser, has come home bearing gifts.
Apply to AACTA Pitch before 20 July
Warner Brothers, The Black List and Veerhuis Pictures partner on The Australian Script Writing Opportunity
Feature Film, TV and Online submissions to the AACTA Awards are now open
Applications for the Natalie Miller Fellowship are now open, closing 20 August
Director, producer and one of the stars of Brothers' Nest, Clayton Jacobson, shares his experience making the film.
In this two-part series, some of Australia’s top online video creators (and Skip Ahead recipients) share their experiences creating online content.
A closer look at the new Screen Story Development Fund guidelines at Screen Australia from two of the people that helped craft them.
Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.
The data reveals which dramas – that Screen Australia invested in – attracted the most returns to investors and which companies bought up big.
Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.
A short film shot in the streets of suburban Dandenong in Melbourne's east has been selected for official competition at the prestigious Cannes Film Festival.
Toronto International Film Festival (TIFF) selector Jane Schoettle will once again be hosted by Screen Australia this April to watch new Australian features for potential pre-selection.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
From 1 August 2018, applications for provisional approval as an Official Co-production must be made through Screen Australia’s online application portal.
Secure a seat at Screen Australia's free one-day forum led by renowned US producer Sheila Hanahan Taylor (Final Destination, Oddball).
Creative Content Australia and Screen Australia are funding two female producers to attend the 2018 Australian International Movie Convention (AIMC).