Legendary Australian director Bruce Beresford shares his experience directing his latest film Ladies in Black.
Maryanne Redpath, Berlin International Film Festival (Berlinale) selector and section head, will be in the country in September to view new Australian films for pre-selection for the festival in 2019.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Registrations for the one day seminar are now open
Submissions to the AACTA Awards are now open
Entries for Flickerfest International Short Film Festival are now open
Submissions are now open for Screenworks GO VIRAL! initiative
Masterclass intensive for producers and filmmakers
SPA will once again hold their annual Screen Forever Conference this November
Submissions for The Vancouver International Women in Film Festival are now open
Get a glimpse at what’s happening on the ground at the Toronto International Film Festival.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
Australian feature film The Nightingale, directed by Jennifer Kent, won two awards at the 75th Venice International Film Festival on Saturday 8 September.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
Hannah and Eliza Reilly created, wrote, directed and star in Sheilas – a web series that shines a light on some awe-inspiring women of Australian history.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
Writer/director Billie Pleffer shares her experience creating Deadlock, the new youth-focused series for ABC iview.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
Screen industry veteran and Village Roadshow Entertainment Group CEO Greg Basser and his wife Kiera O’Neill have today announced that they will join with Screen Australia and G’Day USA to provide the first ever dedicated scholarships for Australians to attend the American Film Institute (AFI) Conservatory