Expert advice on the Producer Offset – the tax rebate for Australian content.
Screen Australia has updated its guidelines for Drama and Children’s Programs to make clear when the agency will consider investing in second seasons for television.
Niki Aken breaks down the different roles for Aussie TV screenwriters, and shares her experience of co-writing The Hunting for SBS.
Director Rachel Ward delves into the making of her latest feature Palm Beach.
Registrations are now open for Screen Canberra's Accelerator TV POD
Submissions for the 2019 DocLab are now open
Entries for the Drama Series Pitch at Content London close 30 September
Applications are now open for 'fearless' Australians with disability
Entries for the Microflix Film Awards are open until 31 August
Applications to study at NIDA in 2020 open 1 July
Applications are now open for the CROAK feature development lab
Submissions for the 2020 SXSW Film Festival are now open
Applications are now open for the Charlie's Writers Lab 2019
AFTRS Postgraduate Information Evening is on 28th August from 6-8.30pm
Entries for Flickerfest International Short Film Festival are now open
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
Actress Essie Davis discusses the complex characters and unique locations in Foxtel’s gothic four-part series Lambs Of God.
Funding models open doors for emerging and established creators.
The actor discusses Australian director Claire McCarthy’s feminist approach to Hamlet that’s been a decade in the making.
Director Grant Sputore on how he brought his feature film debut I Am Mother to life.
Producer Kristina Ceyton on what stories resonate with Causeway Films and their approach to film festivals.
Screen Australia’s Premium Fund is allowing established creators to hone their craft, and for Adele Vuko, expand ideas.
Screen Australia’s Generate Fund is opening up new pathways for emerging screen creators, including writer/director Kauthar Abdulalim.
It might be cold outside, but this list of Aussie online originals will warm your soul.
Screen Australia will host Venice Film Festival (La Biennale di Venezia) pre-selector Paolo Bertolin to view new eligible feature films.
Screen Australia is pleased to offer Australian producers a reduced registration rate and access to a stand in the marketplace at this year’s Sunny Side of the Doc.
Core to the Screen Australia Indigenous Department’s The Next 25 Years strategy is making connections with new talent and assisting creators in taking advantage of the range of opportunities available.
Screen Australia’s Enterprise People program presents an opportunity for two specialist creatives to undertake a six month placement with Wooden Boy Productions in Portland, Oregon, USA working on Guillermo del Toro’s Pinocchio.
From today, Producer Offset Final Certificate applicants will be required to expressly declare PDV work completed in Australia.