Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Ten years after its introduction the Producer Offset (PO) is proving invaluable to producers not accessing any other government funding. But there are concerns.
Legendary Australian director Bruce Beresford shares his experience directing his latest film Ladies in Black.
Get a glimpse at what’s happening on the ground at the Toronto International Film Festival.
Registrations for the Industry Certificate info evening are now open
Entries for the 2019 Revelation Film Festival are now open
SPA will once again hold their annual Screen Forever Conference this November
Registrations are now open for the Summer School in Filmmaking in Melbourne
Entries for Tropfest 2019 open 17 October and this year's signature item is a candle
Director Stephen McCallum shares his experience making his debut feature film, 1%.
Director Benjamin Gilmour reveals the extraordinary story of how his latest film Jirga was filmed in Afghanistan.
Director Ben Lawrence discusses his feature documentary Ghosthunter: “everything I thought the film was going to be, it was something else entirely.”
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.
Hannah and Eliza Reilly created, wrote, directed and star in Sheilas – a web series that shines a light on some awe-inspiring women of Australian history.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Liz Stevens' 15 years of expertise forms the basis of this analysis of the past decade and a half in the documentary sector.
Writer/director Billie Pleffer shares her experience creating Deadlock, the new youth-focused series for ABC iview.
Maryanne Redpath, Berlin International Film Festival (Berlinale) selector and section head, will be in the country in September to view new Australian films for pre-selection for the festival in 2019.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
The Federal Government’s proposed changes do not change how Screen Australia administers the Gallipoli clause.
Screen industry veteran and Village Roadshow Entertainment Group CEO Greg Basser and his wife Kiera O’Neill have today announced that they will join with Screen Australia and G’Day USA to provide the first ever dedicated scholarships for Australians to attend the American Film Institute (AFI) Conservatory