Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.
The public broadcasters dominate again, in a great year for the telling of marginalised stories.
The co-founders of Emmy Award winning studio Ludo on creating a business that’s sustainable, yet bursting with creativity.
Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.
Entries for the 2019 Revelation Film Festival are now open
Submissions to Doc/Fest 2019 are now open
Registrations are now open for the Summer School in Filmmaking in Melbourne
Submissions are now open for the 2019 Sydney Film Festival
Entries for Tropfest 2019 open 17 October and this year's signature item is a candle
Entries for Tropfest Jr 2019 are now open for filmmakers aged 15 years and younger
Applications are now open for short courses in Directing, Production and Cinematography
Some of the key cast and crew from the female-driven SBS production share their experience on set.
Meet the two brothers behind one of Australia's most successful YouTube channels.
Director Stephen McCallum shares his experience making his debut feature film, 1%.
Executive producer Nathan Ross talks about working with like-minded creatives on projects such as Big Little Lies and Sharp Objects.
Director James Wan on Australian crews, locations and the importance of story.
Through our annual grant program, the HFPA helped non-profit group Australians in Film to support IndigenousLA, a program to bring Indigenous filmmakers to Hollywood for the first time, to expand their career.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
We take a look at the four new Fresh Blood pilot episodes as they release on ABC iview and ABC COMEDY YouTube.
Maryanne Redpath, Berlin International Film Festival (Berlinale) selector and section head, will be in the country in September to view new Australian films for pre-selection for the festival in 2019.
Secure a discounted registration for Content London and apply for a grant of up to $5,000 toward the cost of attending the International Drama Summit now.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Ten years after its first iteration, Screen Australia’s hugely successful industry development program Enterprise will return in 2019.