Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
GLOW writer and co-executive producer Sascha Rothchild dishes out advice on writing in this wide-ranging interview.
Submissions are now open for the 12th CinefestOZ Film Festival
Submissions are now open for Freshflix Film Festival for short films 13 minutes or less
Film submissions for Melbourne International Film Festival are now open
Entries are now open for the 2019 Shortstacks short film prize
Entries for the 2019 Revelation Film Festival are now open
Submissions are now open for the 2019 Sydney Film Festival
The entertainment industry celebrates the achievements of Liam Hemsworth (Excellence in Film), Deborah Riley (Outstanding Achievement in Film and Television) and Helen Reddy (Lifetime Achievement Award).
Look back on some of the best Australian screen stories and industry moments of 2018, and get a sneak peek at what’s to come in 2019.
Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.
Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.
Madeleine Madden, Aaron Pedersen, Angourie Rice and Ryan Corr are among the Aussie actors on the red carpet for the 8th AACTA Awards.
We take a look at the four new Fresh Blood pilot episodes as they release on ABC iview and ABC COMEDY YouTube.
Get a glimpse at what’s happening on the ground at the Toronto International Film Festival.
Australian feature film The Nightingale, directed by Jennifer Kent, won two awards at the 75th Venice International Film Festival on Saturday 8 September.
The Producer Equity Program (PEP) was introduced in 2011 and provides a direct payment of funds to producers of eligible low-budget Australian documentaries, equal to 20 per cent of the approved budget.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Ten years after its first iteration, Screen Australia’s hugely successful industry development program Enterprise will return in 2019.
Maryanne Redpath, Berlin International Film Festival (Berlinale) selector and section head, will be in the country in September to view new Australian films for pre-selection for the festival in 2019.