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For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.
Ten times Australian stage plays were transformed into films.
The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.
Video on Demand (VOD) is providing docos with a global platform to get their films noticed and experts are calling it a “no-brainer” for Aussie filmmakers.
She’s one of the most accomplished women in film, but Laura Jones hates being the centre of attention.
You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.
The Australia-China screen relationship is deepening in features, children’s programming and documentaries. Let's look into why.
Mad Max: Fury Road roared away from the Academy Awards with six awards – the most trophies won by any movie on the night and Australia’s most successful film at the Oscars® in history.
Embracing change, this year’s Berlinale provided the perfect platform for Australian creatives working far beyond their comfort zones.
With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.
Hoping to give an emerging Australian filmmaker their big break at Tropfest, the revived short film festival has announced the Oscar-winner will be one of this year’s judges.
The Australian Directors Guild (ADG) and Screen Australia today announced a director’s attachment for Ridley Scott’s upcoming feature Alien: Covenant that is filming in Australia in 2016.