Producer Joanna Werner talks through the Gender Matters KPI alongside her thoughts on the industry.
An analysis of three years of sales and distribution deals.
Production designer Sam Hobbs reveals how he created 1960s Vietnam in Australia for Danger Close: The Battle of Long Tan.
Funding models open doors for emerging and established creators.
Screen Australia Project Manager Kelly Vincent walks us through the ins and outs of creating a strong application with an accurate budget.
The actor discusses Australian director Claire McCarthy’s feminist approach to Hamlet that’s been a decade in the making.
Director Grant Sputore on how he brought his feature film debut I Am Mother to life.
Causeway Films producer Kristina Ceyton breaks down their tailored approach to film festival releases and the significance they can have.
Screen Australia will host Venice Film Festival (La Biennale di Venezia) pre-selector Paolo Bertolin to view new eligible feature films.
Miranda Tapsell and Wayne Blair sit down with Screen News to discuss the making of their new film Top End Wedding.
The year was 1992. Paul Keating was our Prime Minister, the Olympic Games were held in Barcelona and Billy Ray Cyrus’ Achy Breaky Heart topped the ARIA Charts.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.