The US, UK and Australian favourites as of yesterday (February 14) are below. Nine films (in italics) have the honour of being hits in all three countries.
Internationally focussed big-budget Australian films financed by the Hollywood studios or the mini-majors and marketed worldwide with considerable grunt dominate the top of all three lists but fewer of them have won over Australian audiences.
Instead, independently financed films that very distinctively reflect Australian life and Australian sensibilities have prevailed. For these kinds of films international success is generally dependent on finding a number of distributors across a spread of countries to champion them after completion. There are 10 films hugely popular in Australia (in bold) that don’t appear on the US or UK lists.
Hacksaw Ridge
For the record Roadshow handled eight out of the top 20 films in Australia.
Why a film worked particularly well in the US or the UK but not elsewhere (in bold) is sometimes obvious. Steve Irwin’s significant following helped drive the success of The Crocodile Hunter: Collision Course in the US. A much-loved children’s book by English writer Dick King-Smith was the source material for the first Babe movie and it showed: the film topped the UK list and that momentum gave Babe: Pig in the City a leg-up three years later.
In some cases the reasons are as much to do with the nature of the film business as the content. The Railway Man is a co-production between Australia and the UK and a from-the-ground-up cinema release in Australia’s partner producing country is built into the DNA of co-productions.
Two warnings: these lists would look very different if adjusted for inflation and the popularity of films in the cinemas of one country isn’t necessarily an indication of overall commercial success. On the second point just because a film is popular in one place doesn’t mean it is in another or across other platforms and also production and marketing costs have to be repaid out of gross box office.
Lion
The relationship between theatrical and commercial success is just one aspect of a set of articles – soon to be published in Screen Intel – that aims to open up discussion about the commercial performance of independently financed film. This research drills down into the 94 feature films that Screen Australia has invested in between when the doors opened on July 1, 2008 and 30 June 2015. It identifies those that have exceled across certain financial indicators and explores reasons why that may be the case. Stand by.
TOP AUSTRALIAN FILMS OF ALL TIME IN CINEMAS
AS OF 14 FEBRUARY 2017
Australia
|
Ranking |
Film |
Year of Release |
Distributor |
Gross AU$m |
1 |
Crocodile Dundee |
1986 |
Hoyts |
$47.71m |
2 |
Australia |
2008 |
Fox |
$37.56m |
3 |
Babe |
1995 |
UIP |
$36.78m |
4 |
Happy Feet |
2006 |
Roadshow |
$31.79m |
5 |
Moulin Rouge! |
2001 |
Fox |
$27.73m |
6 |
The Great Gatsby |
2013 |
Roadshow |
$27.38m |
7 |
Crocodile Dundee II |
1988 |
Hoyts |
$24.92m |
8 |
Strictly Ballroom |
1992 |
Ronin |
$21.76m |
9 |
Mad Max: Fury Road |
2015 |
Roadshow |
$21.68m |
10 |
Red Dog |
2011 |
Roadshow |
$21.47m |
11 |
The Dressmaker |
2015 |
Universal |
$20.28m |
12 |
Lion |
2017 |
Transmission |
$19.82m |
13 |
The Dish |
2000 |
Roadshow |
$17m |
14 |
The Man from Snowy River |
1982 |
Hoyts |
$17.23m |
15 |
The Adventure of Priscilla, Queen of the Desert |
1994 |
Roadshow |
$16.46m |
16 |
The Water Diviner |
2014 |
Universal |
$15.87m |
17 |
Muriel's Wedding |
1994 |
Roadshow |
$15.77m |
18 |
Mao's Last Dancer |
2009 |
Roadshow |
$15.44m |
19 |
The Sapphires |
2012 |
eOne |
$14.53m |
20 |
Tomorrow, When The War Began |
2010 |
Paramount |
$13.51m |
USA
|
Ranking |
Film |
Year of Release |
Distributor |
Gross US$m |
1 |
Happy Feet |
2006 |
Warner Bros |
$198m |
2 |
Crocodile Dundee |
1986 |
Paramount |
$174.70m |
3 |
Mad Max: Fury Road |
2015 |
Warner Bros |
$154.06m |
4 |
The Great Gatsby |
2013 |
Warner Bros |
$144.84m |
5 |
Crocodile Dundee II |
1988 |
Paramount |
$108.83m |
6 |
Knowing |
2009 |
Summit |
$79.96m |
7 |
Hacksaw Ridge |
2016 |
Lionsgate |
$66.57m |
8 |
Happy Feet Two |
2011 |
Warner Bros |
$64.01m |
9 |
Babe |
1995 |
Universal |
$63.66m |
10 |
Moulin Rouge! |
2001 |
Fox |
$57.39m |
11 |
Legend of the Guardians: The Owls of Ga'Hoole |
2010 |
Warner Bros |
$55.67m |
12 |
Australia |
2008 |
Fox |
$49.55m |
13 |
The Piano |
1993 |
Miramax |
$40.16m |
14 |
Mad Max: Beyond Thunderdome |
1985 |
Warner Bros |
$36.23m |
15 |
Shine |
1996 |
Fine Line |
$35.89m |
16 |
Gods of Egypt |
2016 |
Lionsgate |
$31.15m |
17 |
Lion |
2017 |
The Weinstein Company |
$30.24m |
18 |
Daybreakers |
2010 |
Lionsgate |
$30.10m |
19 |
Green Card |
1990 |
Buena Vista |
$29.89m |
20 |
The Crocodile Hunter: Collision Course |
2002 |
MGM/UA |
$28.44m |
UK
|
Ranking |
Film |
Year of Release |
Distributor |
Gross £m |
1 |
Babe |
1995 |
Universal |
£20.29m |
2 |
Crocodile Dundee |
1986 |
Fox |
£20.07m |
3 |
Happy Feet |
2006 |
Warner Bros |
£19.24m |
4 |
Moulin Rouge! |
2001 |
Fox |
£18.50m |
5 |
Mad Max: Fury Road |
2015 |
Warner Bros |
£17.44m |
6 |
The Great Gatsby |
2013 |
Roadshow |
£15.73m |
7 |
Crocodile Dundee II |
1988 |
Hoyts |
£13.32m |
8 |
Australia |
2008 |
Fox |
£8.12m |
9 |
Muriel's Wedding |
1995 |
Buena Vista |
£8.01m |
10 |
Knowing |
2009 |
eOne Films |
£6.8m |
11 |
Lion |
2017 |
Entertainment |
£6.43m |
12 |
Happy Feet Two |
2011 |
Warner Bros |
£5.81m |
13 |
The Railway Man |
2014 |
Lionsgate |
£5.33m |
14 |
Green Card |
1991 |
Warner Bros |
£5.03m |
15 |
The Piano |
1993 |
Entertainment |
£4.85m |
16 |
Daybreakers |
2010 |
Lionsgate |
£4.55m |
17 |
Shine |
1997 |
Buena Vista |
£4.42m |
18 |
Mad Max: Beyond Thunderdome |
1985 |
Columbia/EMI |
£4.1m |
19 |
Babe: Pig in the City |
1998 |
Universal |
£4.09m |
20 |
The Delinquents |
1989 |
Waner Bros |
£3.51m |
What to read next
David Stratton reflects on the evolution of the Aussie film industry since the 60s, ahead of the release of documentary David Stratton: A Cinematic Life.
01 Mar 2017
Caris Bizzaca