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Director Grant Sputore on how he brought his feature film debut I Am Mother to life.
Causeway Films producer Kristina Ceyton breaks down their tailored approach to film festival releases and the significance they can have.
Screen Australia will host Venice Film Festival (La Biennale di Venezia) pre-selector Paolo Bertolin to view new eligible feature films.
Miranda Tapsell and Wayne Blair sit down with Screen News to discuss the making of their new film Top End Wedding.
The year was 1992. Paul Keating was our Prime Minister, the Olympic Games were held in Barcelona and Billy Ray Cyrus’ Achy Breaky Heart topped the ARIA Charts.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Major Australian screen practitioners across features, TV, documentary and online dish out their advice.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
The entertainment industry celebrates the achievements of Liam Hemsworth (Excellence in Film), Deborah Riley (Outstanding Achievement in Film and Television) and Helen Reddy (Lifetime Achievement Award).
Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.