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Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.
Meet the two brothers behind one of Australia's most successful YouTube channels.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.
Director Stephen McCallum shares his experience making his debut feature film, 1%.
After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.
Indigenous screen industry veterans and emerging artists came together on Thursday 30 August at Carriageworks, Redfern to celebrate 25 years of Screen Australia’s Indigenous Department.
Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.
This year marks 25 years of Screen Australia’s Indigenous Department, which supports Indigenous Australians to tell their own screen stories.
Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.
Writer/director/producer Sonya Pemberton on scripted documentaries, science communication and collaborating with Derek Muller.
Showrunners Drew Proffitt and Ellie Beaumont discuss creating, producing and writing the new four-part crime series Dead Lucky for SBS.