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Miranda Tapsell and Wayne Blair sit down with Screen News to discuss the making of their new film Top End Wedding.
The year was 1992. Paul Keating was our Prime Minister, the Olympic Games were held in Barcelona and Billy Ray Cyrus’ Achy Breaky Heart topped the ARIA Charts.
First-time feature director Anthony Maras on his approach to the tricky subject matter, the doco that inspired the film, rehearsals and getting suitably stressed performances, plus more.
We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.
Former Scripted Ink Head of Development Tim Pye on screenwriting in 2019 – thinking internationally, practical tips, and the pros and cons of SVODs.
Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.
Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.
Director Shawn Seet on the challenges and opportunities of bringing iconic Australian story Storm Boy to the silver screen in 2019.
In January, Screen Australia will host Paolo Bertolin from the Cannes Directors’ Fortnight Selection Committee to pre-select titles for the May 2019 festival.
Director James Wan on Australian crews, locations and the importance of story.
Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.
Hear from Screen Australia’s CEO Graeme Mason in this extended interview on everything from production activity to deals, distribution and the Producer Offset.