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Documentarian Sean Cousins and 360 Degree Films found high-stakes love and drama in the lives of Australian-Indians torn between two worlds.
The Katering Show producer Tamasin Simpkin spills the beans on being part of an internet sensation, and how the Ones to Watch program helped with Season 2.
Director Jennifer Peedom tells us how the Sherpa team managed when the deadly force of nature reared its head in the midst of filming on Everest.
Director Joseph Sims-Dennett channelled his own nightmares into Observance, a psychological horror that’s chilling audiences around the globe.
Nel Minchin delved into the family archives and turned the camera onto her brother Tim, her family and herself for Matilda & Me.
Every day across the country people are making life-changing decisions. We talk to executive producer Karen Dewey about Keeping Australia Alive.
For Hunter Page-Lochard, working on his father’s feature directorial debut Spear was like a rite of passage.
Call Me Dad was commissioned by ABC TV. Well into filming, it went to Good Pitch2. The amount subsequently raised was nearly half the production budget.
Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.
Tyke, Elephant Outlaw is a feature-length documentary that explores the story of a circus elephant who killed her trainer in front of thousands of people in Honolulu in 1994.
With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.
Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.