The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.

Sell-out live shows, viral videos and a new web series, Aunty Donna aren’t sticking to rules, but paving their own path to success.

With Looking for Grace and The Daughter both film festival darlings, Odessa Young is suddenly finding herself in the spotlight. She looks back on the creation of her two first features and how entwined the experiences were.

Producer Ian Collie looks at how Jack Irish has evolved as Guy Pearce’s private eye shifts from telemovies to his own ABC TV series.

Starting From... Now! screens on SBS 2 after its world premiere at the Queer Screen Mardi Gras Film Festival in March.

Embracing change, this year’s Berlinale provided the perfect platform for Australian creatives working far beyond their comfort zones.

You’ve heard of the Bechdel test? Well, here are 11 films, TV series and online shows that not only pass the test, but were written or directed by a woman.

She’s one of the most accomplished women in film, but Laura Jones hates being the centre of attention.

Here Come the Habibs and Soul Mates producer Chloe Rickard talks about working at Jungle, taking risks with No Activity and tackling the tough topics.

Ten times Australian stage plays were transformed into films.

The Daughter director Simon Stone talks through the challenges of adapting Ibsen’s The Wild Duck for his feature film debut and its intense 30-day shoot.

Local TV content is hugely popular with audiences and plays a vital role in informing the ways we think about ourselves and each other, but do our TV dramas reflect the diversity of Australia today?