Three screenwriters offer insights and advice from the television writers’ room. At a time when the industry is changing, so are the voices behind it.

Growing up in Western Australia, Kodie Bedford dreamt of being Buffy. Now, as one of Australia’s most promising screenwriters, she wants to write the next Buffy.

Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.

Writer Alexa Junge on the writers' room of Friends, The West Wing and Grace and Frankie and her commitment to bridging a gap between Australian screenwriters and the US.

Screen Producers Australia CEO Matthew Deaner discusses the opportunities and challenges for Australian producers in 2018.

Charles Williams takes on serious themes in his Palme d’Or winner All These Creatures, while Eryk Lenartowicz has a lot of fun with his absurdist comedy Dots.

The director’s attachment shadowing and assisting Rachel Griffiths on Ride Like a Girl reveals her key takeaways from the experience so far.

How Academy Award® and Emmy®-winning US producer Mark Johnson of Rain Man and Breaking Bad brought Tim Winton’s Breath to the big screen.

Director Simon Baker on making an Australian first-time feature after two decades acting in the US.

In an increasingly crowded marketplace Picnic at Hanging Rock producer Jo Porter is looking for ideas that are bold enough to cut through.

Actor Mia Wasikowska on returning to work in Australia on Mirrah Foulkes’ feature directing debut Judy and Punch and the camaraderie of the Aussie industry.

Four new Art Bites documentaries helmed by emerging director and producer teams will launch on the ABC Arts channel on iview today.