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As an ageing emerging creative, and trans advocate, screen storytelling without throwing away your advocacy hat provides some challenges.
From casting to the pressures of visibility, Oliver Ross hopes to open up discussions around the experiences of trans and gender diverse creatives.
Writer and director Santilla Chingaipe wants the support she’s received in her career to become the norm rather than the exception.
Embracing change, this year’s Berlinale provided the perfect platform for Australian creatives working far beyond their comfort zones.
When Molly airs, it will kick off another year of miniseries based on the lives of Australian personalities – a trend that isn’t showing signs of slowing.
From First Australians to Redfern Now and soon Total Control, producer Darren Dale on making TV that matters.
Director Karina Holden reveals how Australia’s philanthropic community made doco BLUE happen and in doing so, helped its message go global.
Producer Nelson Woss is hoping the latest Red Dog film, a family-friendly origin story, travels as much as the beloved first movie and the dog itself.
How Academy Award® and Emmy®-winning US producer Mark Johnson of Rain Man and Breaking Bad brought Tim Winton’s Breath to the big screen.
Gender Matters aimed to create a surge of female stories through Brilliant Stories, but how do you ensure long-lasting change? Enter: Brilliant Careers.
Behind the eclectic concepts of Brilliant Stories is a myriad of female voices, some of which have yet to be heard at this level before.
Jessica Hobbs has directed more than 60 hours of TV drama, from The Slap to Broadchurch. Here she talks career progression.