Whether it’s film, TV, comedies or drama, Matthew Saville’s directing career encompasses an enviable list that ranges from adaptations The Slap and Cloudstreet, to features Felony and Noise and comedies such as Josh Thomas’ Please Like Me and Chris Lilley’s We Can Be Heroes.

Paul Cox says he's always being accused of making films about his own life – to which he says, that’s the closest source of inspiration we have.

Screen Australia launches a comprehensive report into diversity on Australian screens to inform the conversation and calls for real, long-lasting change.

A brave Australian filmmaker is tackling the issue of domestic violence from a different perspective in new ABC documentary Call Me Dad.

Down Under writer/director Abe Forsythe reveals the road he took to write and develop a comedy that revolves around a race riot.

Sporting a dishevelled look of longer hair and a beard that sent his legion of admirers into a frenzy at Cannes recently, Baker shares some thoughts about his latest project Breath.

As Electric Pictures brainstormed a way to expand its audience, they unearthed a gem of their own with Aussie Gold Hunters.

From exploring the natural world to being immersed in contemporary conversations, what better way to travel into the second half of 2023 than by watching some (if not all) of these Screen Australia-funded documentaries releasing in June.

Showrunner and writer Elise McCredie on working with Cate Blanchett and Tony Ayres to co-create the ABC series Stateless.

Screenwriter Emma Jensen on her background in development and how her first screenwriting credit became the global biopic Mary Shelley starring Elle Fanning.

From Miss Fisher to Newton’s Law: why Every Cloud Productions wants to see more women in front and behind the camera – and what they’re doing about it.

How executive producers Fiona Eagger and Deb Cox turned the Phryne Fisher book series into a global franchise.