At the heart of First Contact series 2 is a desire to elevate the national conversation on Australia’s First Peoples, says Blackfella Films’ Jacob Hickey.

Four years after the launch of NITV/ABC kids’ series Grace Beside Me, producers Dena Curtis and Lois Randall look back on what made the popular series work.

It’s been nearly two decades since The Castle soared onto screens, but it’s still not unusual to find some of its iconic one-liners dropped into everyday conversation.

Having amassed millions of views with their car lipsync videos, SketchShe decided to take their work to the next level. Enter Traffic Jam the Musical.

Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.

The Katering Show producer Tamasin Simpkin spills the beans on being part of an internet sensation, and how the Ones to Watch program helped with Season 2.

Nakkiah Lui on finding humour in tragedy and living out her fantasy of being the best Aboriginal figure skater of all time in Kiki and Kitty.

Screen Australia’s Generate Fund is making way for more autonomous, creator-driven storytelling, including an adaptation of an Australian classic by writer/director Nicholas Verso.

Attendees of Talent USA: LA 2019 share their key learnings from the week-long program.

Screen Australia’s Head of Documentary Richard Huddleston shares the headline discussions and key takeaways from this year’s AIDC.

Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.

Jacquelin Perske on the challenges of Deadline Gallipoli.