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Screen Australia’s Head of Documentary Richard Huddleston shares the headline discussions and key takeaways from this year’s AIDC.
Director Taika Waititi on the moments in Thor: Ragnarok created just for Kiwis and Aussies, and why it was important to have Indigenous attachments on set.
Jacquelin Perske on the challenges of Deadline Gallipoli.
Superwog’s Theo Saidden on co-writing/directing/producing and co-starring in the duo’s TV pilot and why they will always try to make YouTube videos, no matter what.
The emerging Australian producer and director behind Berlinale-bound Jade of Death explain why dramatic web series are the new black.
Summer is well and truly here, which means it's the perfect time to take a break and watch some iconic Australian titles.
Producer Dan Goldberg reveals how Mint Pictures was given unprecedented access inside an ultra-Orthodox Jewish sect in Melbourne for Strictly Jewish.
Venice Film Festival jury member David Stratton speaks from Italy about Warwick Thornton’s Sweet Country, his reviewing career, his greatest achievements and his earliest movie memory.
The world of documentary storytelling is growing increasingly diverse – and ever-more compelling – as this year’s International Documentary Film Festival Amsterdam (IDFA) attendees knew only too well.
Funding models open doors for emerging and established creators.
The co-writer behind Sweet Country and Mystery Road and director on the likes of Black Comedy, on how to make a documentary when time and travel are against you.
30 years after its release, writer and director Stephan Elliott and producer Al Clark revisit the making of the iconic road trip musical and share other adventures of Priscilla.