We put a spotlight on these acclaimed Australian technicians – including their career highlights and how they shot them – as part of International Women's Day.

Top End Wedding’s Miranda Tapsell speaks from Sundance about being empowered to write the stories she wants to see.

Cinematographers and directors from a collection of Australian films discuss the camera and lens choices they made and why.

Claudia O’Doherty on the webseries that led to Trainwreck and Netflix’s Love, and the Australian show that’s bringing her back home.

We take a look at the four new Fresh Blood pilot episodes as they release on ABC iview and ABC COMEDY YouTube.

Director James Wan on Australian crews, locations and the importance of story.

Comedian Nazeem Hussain talks about the writers’ room of his new Channel 7 sketch series Orange is the New Brown and all the challenges that came with it.

Academy Award-nominated screenwriter Luke Davies on his approach to writing, the complexity of adapting Beautiful Boy, and life after Lion.

Boy Erased writer/producer/actor/director Joel Edgerton on how his passion for this true story led to a whirlwind turnaround from page to screen.

Photographer-turned-director Olivia Martin-McGuire on her debut documentary China Love and what she’s learnt for next time.

After “falling into” the film industry, Darlene Johnson has used her platform to tell the kind of stories she never saw growing up Aboriginal in Australia.

He’s a familiar face on the big and small screen. Yet after a decade in the industry, Aaron Fa’Aoso is looking towards the future of Indigenous storytelling with single-minded focus.