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Screen Australia’s Chief Executive Officer Graeme Mason, Chief Operating Officer Fiona Cameron and Head of Production Sally Caplan will embark on a seven-city tour of the country.
SCREEN FOREVER is just around the corner, so here are some of the highlights announced so far.
Toby Wallace says it’s important for young Aussies to see themselves reflected, whether it’s in films like Boys in the Trees or TV shows like Puberty Blues.
Sales agents give the low-down on what they want, the reasoning behind some of their recent Australian acquisitions, and more.
Film producers are always knocking on Screen Australia’s door because there’s money behind it.
Triple M’s Gus Worland, gonzo journalism and making Australian men Man Up by digging deep.
One of the most common questions Screen Australia is asked by everyone from the general public to politicians is: how is the screen industry doing?
Joe Cinque’s Consolation director, co-producer and co-writer Sotiris Dounoukos on adapting Helen Garner’s book for the screen in his native Canberra.
Rosehaven’s Luke McGregor on his increased admiration for Rob Sitch and why Tasmania is the next Hollywood.
As The Wrong Girl and Deep Water hit screens Twitter’s Tony Broderick talks about the Screen Australia initiative helping these TV dramas.
In an effort to address the lack of opportunity for entry-level female television screenwriters, producer Imogen Banks (Offspring) and screenwriter Alice Bell (Puberty Blues) have launched Smart For a Girl: Roar.
Many doors swung open for writer/director Neil Triffett and producer Lee Matthews as a result of the short film EMO the Musical being selected for the Berlinale and subsequently earning a special mention from the jury.