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The Dry star Eric Bana and co-writer/director Robert Connolly on bringing a bestselling novel to life on the big screen.
Screen Australia’s Head of Indigenous Penny Smallacombe reflects on a changing industry.
Director Jessica Hobbs on how the Australian television industry prepared her for working on hit Netflix series The Crown.
Hear from a COVID safety supervisor, a producer and Screen Australia’s CEO about the ways the local screen industry has persevered in the midst of a global pandemic.
There aren’t many Australian films like lesbian romcom Ellie & Abbie (& Ellie’s Dead Aunt), which is exactly why writer/director Monica Zanetti wanted to make it. Here’s how she did.
Representatives from the various departments at Screen Australia share their top tips for anyone putting together an application.
From acting and producing in web series Starting From Now to directing feature film Romance on the Menu, Rosie Lourde talks through what she’s learning in her varied career.
Takeaways and advice from Doctor Doctor and The Unlisted director Lucy Gaffy as she reflects on her career so far.
Australian expat Madeline Miller breaks down the US and Australian screen industries and working on brand partnerships in the latest James Bond film.
Dirt Music director Gregor Jordan on returning to Australian feature film, and reflecting on his debut feature Two Hands.
Development executives Donna Chang and Tanya Phegan on their approach to pursuing, pitching and shaping ideas for the screen.
Screen Australia Distribution Manager Anthony Grundy looks at the impact of COVID-19 on Australian theatrical while director/AD Neil Sharma imparts learnings.