How executive producers Fiona Eagger and Deb Cox turned the Phryne Fisher book series into a global franchise.
Learn the differences between budget, profit and recoupment, and when creators start making money.
Showrunner and writer Elise McCredie on working with Cate Blanchett and Tony Ayres to co-create the ABC series Stateless.
The Heights season 2 script producer Romina Accurso and script editor Hannah Carroll Chapman on writers’ rooms and advice.
Cinematographers from Australian films, television, documentary and online series share the camera and lens choices that brought the stories to life.
What you need to know about ‘the bible’ of all screen productions: the finance plan.
Hear from Australian TV screenwriters at the top of their game including Sarah Lambert, Stephen McGregor, Mithila Gupta, Elise McCredie and more.
Of the 17 podcast episodes released in 2019 by Screen Australia, here are just a few of the highlights from recent guests.
How writer and story editor Ryan O’Connell (Will & Grace) teamed up with an Australian director, the star of The Big Bang Theory and Netflix to create a comedy like no other.
Producer Daniel Joyce on Martha: A Picture Story, the importance of festivals for documentaries, plus commissions vs acquisitions.
Two and a half years since Screen Australia's Inclusivity Attachment Scheme was introduced, people who worked on the likes of Penguin Bloom and The Gloaming share their thoughts.
Hear about the origins of Stan, why original programming matters, and what the future of television in Australia could look like.