Screen Australia Distribution Manager Anthony Grundy looks at the impact of COVID-19 on Australian theatrical while director/AD Neil Sharma imparts learnings.
Director Unjoo Moon on the shift from documentary to drama and collaborating with music icon Helen Reddy to create the biopic I Am Woman.
Retrograde writer, producer and co-creator Meg O’Connell on creating an ABC TV series in a pandemic, and developing ideas with Snapchat.
The co-writer behind Sweet Country and Mystery Road and director on the likes of Black Comedy, on how to make a documentary when time and travel are against you.
Producer Jason Stephens on starting Lingo Pictures with Helen Bowden and their approach to developing, creating, and selling Australian television.
Director Shannon Murphy on her feature debut Babyteeth, the skills she took from TV to features, and working on Killing Eve.
Relic director Natalie Erika James discusses moving from short films to features, support from Hollywood, and advice.
Academy Award-nominated writer Tony McNamara (The Favourite) on developing The Great from a play to a feature to the TV series, working with US studios, writing process and more.
Flying Bark Productions Managing Director Barbara Stephen talks 100% Wolf, working across 2D and 3D, and how the animation industry has changed.
Writer, director and co-producer Peter Duncan on approaching Operation Buffalo like a long feature, looking back on Rake, and career takeaways.
Acclaimed filmmaker Warwick Thornton on being both director and subject in The Beach, and back-to-back filming in Western Australia on Mystery Road.
Director Entertainment and Specialist at the ABC - Michael Carrington - discusses the ABC's priorities, the significance of iview, and opportunities for Australian creatives.