Head of Content Tyler Bern talks through the strategy for Amazon Prime Video Australia, what they want from pitches, and new hires.
Amid record-breaking numbers in the 2020/21 Drama Report, executive producers behind Fires, Hardball and Spreadsheet provide insights into what production has been like.
From Lion to The Mandalorian, Dune and soon The Batman, Australian director of photography Greig Fraser ACS, ASC charts his story-driven approach.
Australian cinematographer Ari Wegner ACS discusses the making of The Power of the Dog, from working with Jane Campion to the New Zealand shoot.
Australian children’s TV continues to shine under pressure, whether that’s winning Emmys, selling internationally or launching careers.
Preppers co-creator, co-writer and star Nakkiah Lui on shooting a comedy about doomsday prepping in the midst of a pandemic.
Producer Cody Greenwood got dozens of tracks from the world’s biggest names for Australian documentary Under the Volcano. Here’s how it happened.
Screen Australia’s new Head of Documentary Alex West and the documentary team on the local factual sector, applying for funding and what’s ahead.
Screen composer Caitlin Yeo on writing music for film, television and documentary and how she crafted the score for the SBS revisionist western series New Gold Mountain.
Journalist and presenter Marc Fennell on navigating a constantly changing industry and the personal impact of the ABC series The School That Tried to End Racism.
The key creatives behind All My Friends Are Racist talk about the authorship that ensured a comedy like no other.
Screenwriter Bevan Lee on returning to the characters, tone and world of the Rafters some eight years after waving goodbye.